By 1976, Lee "Scratch" Perry was well established at his Black Ark studio, a fact proven by the quality of the creations emerging from its walls. The success of Max Romeo's "War in a Babylon" brought a deal with Island Records and the possibility of greater financial rewards. The single was followed by a full-length album of the same name as well as deejay Jah Lion's Columbia Colly LP. Riding this crest of productivity, Scratch then turned to a creation of his own.
Super Ape offered a series of the producer's finest 1976 rhythms, from Devon Irons' "When Jah Come" and the Blue Bells' "Come Along" to Romeo's "War in a Babylon" and "Chase the Devil." All are bathed in the distinct, murky atmosphere that was becoming a Black Ark trademark, then served up in the form of dub-like de-constructions.
Island's U.K./U.S. sequencing of Super Ape places "Dread Lion" at the album's heart. If any track fulfills the cover's promise to "Dub it up, blacker than dread", this is it. Vocals from numerous cuts seem to compete for their spot on the rhythm, while a dizzying mix of horns, flute and melodica swirl around them. Punctuating the song's rock-solid underbelly, Perry conjures startling thunderclaps from his mixing board.